ALESSANDRO DI PIETRO
Alessandro Di Pietro’s work is based on linguistic structures and cinematographic grammars, outlining methodologies that generate new narratives and production strategies through hybrid environments, inhabitants of monstrous plausible characters and non-objective technologies. In 2017, he partecipate as a fellow at the American Academy in Rome.
Notable exhibitions include solo and double solo presentations at: BLIND DATE #4 – Fearsome Features, Sonnenstube, Lugano (2019); FELIX, Marsèlleria Permanent Exhibition, Milan (2018); SHORT STORIES OF FIRES AND CARBON, RAUM, Bologna (2018); Towards Orion: Stories from the Backseat, LA PLAGE, Paris (2017); NEW VOID, La Rada, Locarno (2016); Tiziano e Giorgione, Tretiegalaxie – Barriera, Turin (2016); Double Cross, CAB – Centre d’Art Bastille, Grenoble (2015).
He also participated to several group exhibitions, the most recent are: #80 #90 c, Villa Medici, Rome (2019); PERFORMATIVITY, Centrale Fies, Trento (2019); The Tesseract, American Academy in Rome, Rome (2018); Marsélleria New York Screenings, Marsèlleria, New York (2018); FIGURE DI SPAGO – Pratiche narrative, Fondazione Baruchello, Rome (2018); THAT’S IT, MAMBO – Museo d’Arte Moderna Bologna, Bologna (2018); MOSTRI CONTRO FANTASMI, OGR – Officine Grandi Riparazioni, Turin (2018); Radieuse, Istituto Italiano di Cultura, Brussel (2017); The Habit of A Foreign Sky, Futurdome, Milan (2016); VISIO – Next Generation Moving Images, La Strozzina, Florence (2015); Glitch. Interferenze tra Arte e Cinema, OCAT, Shanghai (2015) and PAC – Padiglione d’Arte Contemporanea, Milan (2014).
In 2020 he received a grant from the Pollock – Krasner Foundation in New York and, in 2017-2018, the Cy Twombly Fellowship at the American Academy in Rome.